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TRADITIONAL WEDDING MUSIC

Western Weddings

Music played at Western weddings includes a processional song for walking down the aisle (ex: wedding march) ...

and reception dance music includes:

Various works for trumpet and organ, arguably the most famous of which include the Prince of Denmark's March by Jeremiah Clarke as a processional, the "Trumpet Tune" by Henry Purcell and the "Trumpet Voluntary" by John Stanley as recessionals. Selections by George Frideric Handel, perhaps most notably the "Air" from his Water Music as processional and the "Alla Hornpipe" as recessional. The "Bridal Chorus" from Lohengrin by Richard Wagner, often used as the processional and commonly known as "Here Comes the Bride". Richard Wagner is said to have been anti-Semitic,[8] and as a result, the Bridal Chorus is often not used at Jewish weddings. Johann Pachelbel's Canon in D is an alternative processional. The "Wedding March" from Felix Mendelssohn's incidental music for the Shakespeare play, A Midsummer Night's Dream, used as a recessional. The "Toccata" from Charles-Marie Widor's Symphony for Organ No. 5, used as a recessional. Segments of the Ode to Joy, the fourth movement of Ludwig van Beethoven's Ninth Symphony. At wedding receptions, Der Ententanz, a 1950s Swiss Oom-pah song known more commonly in America as The Chicken Dance, has become a popular part of the reception dance music.

Australian

The majority of weddings in Australia are a civil ceremony performed by an Authorised Civil Celebrant. Municipal parks are popular followed by the reception venue itself, which may have its own garden or an attached secular wedding chapel. The choice of music reflects the comparatively informal and relaxed style of this unique form of wedding.

The choice of music reflects the couple's musical tastes and ranges from classical to pop. It is sometimes played by hired professionals or friends who are trained musicians but is mostly supplied on CD-ROM and played by the celebrant on his or her portable public address system.

Light music, middle-of-the-road or classical, is played while the guests are gathering but this changes to a piece chosen by the bride for her entrance. The Canon in D by Johann Pachelbel is the most popular piece. The Bridal Chorus and Wedding March are regarded as musical clichés and rarely heard.

Quieter pieces are played while the marriage certificates are signed in the presence of the guests. After signing the official Certificate of Marriage is presented to the couple. The guests then stand while the bridal party exits, either down the aisle or nearby in the park. During this a bright, loud, cheerful piece is played to set a triumphant note at the end of the ceremony.

Egyptian

In Egypt there is a specific rhythm called the zaffa. Traditionally a belly dancer will lead the bride to the Wedding Hall, accompanied by musicians playing the elzaff, on drums and trumpets, sometimes the flaming torches. This is of unknown antiquity, and may even be from the pre-Islamic era.

Hawaiian

Coco Palms Resort was a luxury resort in Hawaii. It opened in 1953 and became the focus of the last 20 minutes of Elvis Presley's film "Blue Hawaii" (1961). The climax was a wedding with Elvis singing "The Hawaiian Wedding Song". This had originally been written in Hawaiian by Charles E King in 1926. It had been given English lyrics by Hoffman and Mannin. Elvis's version is a dual-language version of both songs. He sang it to his bride at his own wedding. As a direct result of the film, about 500 Americans per year were married at the Coco Palms Resort, and most of them used the famous song as part of the ceremony. Even after the hotel closed in 1992 the song is still a popular choice, especially for Presley fans.

Jewish

At Jewish weddings, the entrance of the bride is accompanied by a tune called baruch haba. Siman Tov ("Good Tidings") is an all-purpose Jewish celebration song.

North America

A contemporary North American wedding ceremony, most often held in a church, uses music to announce and accompany a specific order of events, starting with the ritual seating of mothers and grandmothers by the ushers, followed by the entrance of the groomsmen and clergy, then the bridesmaids and lastly the bride and possibly the bridegroom self. All these events are accompanied by their own individual pieces, selected beforehand in conjunction with the musician(s) hired to perform. In lieu of live players, recorded music can be substituted to fulfill these functions.

Typically beginning with 20–30 minutes of prelude music, this generally includes reflective pieces such as Bach's "Jesu, Joy of Man's Desiring". Use of string quartets and harps have in modern times increased in popularity, sometimes replacing the customary organ. After the prelude, there is generally special music for the seating of the mothers and grandmothers. A popular selection is the Canon in D by Johann Pachelbel. Then the bridal party (bridesmaids) proceeds down the aisle, followed by the bride — often escorted by her father. They arrive at the church altar where the groom, groomsmen and priest are assembled. This bridal march is accompanied by a processional tune.

For over 100 years the most popular processional has been Wagner's Bridal Chorus from Lohengrin (1850), often called "Here Comes The Bride". This has been historically played by an organist. Since the televised wedding of Lady Diana to Prince Charles, there has been an upsurge in popularity of Jeremiah Clarke's "Prince of Denmark's March" for use as processional music, a piece that was formerly (and incorrectly) attributed to Henry Purcell as "Trumpet Voluntary". During the service there may be a few hymns, especially in liturgical settings. Optional solos and a short piece for the lighting of the Unity Candle may also occur. At the end of the service, the bride and groom march down the aisle to a lively recessional tune, the most popular tune being Mendelssohn's Wedding March from A Midsummer Night's Dream (1826). Another popular choice is Widor's Toccata from Symphony for Organ No. 5 (1880). The ceremony concludes with an instrumental postlude as the guests depart. In the US, the most common musical instruments used for ceremony music is either a piano/organ or a string quartet, but a harpist, woodwind quintet, or classical guitar is sometimes used.

After a photography session, a catered meal and dance ensue, known as a reception. Receptions either offer couple dancing with a live band, or hire a DJ to play popular recorded songs, often chosen by the couple such as "Just The Way You Are" played for some first dance.

Scottish

At traditional Scottish weddings there is often a dance, after the ceremony, called a ceilidh. This ceilidh involves traditional Scottish music and has dances such as a "Strip the Willow", "Dashing White Sergeant", and "The Gay Gordons". "Mairi's Wedding" (aka "Marie's Wedding", the "Lewis Bridal Song", or "Mairi Bhan") is popular in weddings with a Scottish theme. It was written by Johnny Bannerman using a traditional Scots tune in 1934 and translated from Gaelic into English a year later. It has since been recorded by Kenneth McKellar, The Clancy Brothers, The Chieftains with Van Morrison, The King's Singers and others, with The Rankin Family taking it to number one in Canada.

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